About the genesis of the city, he wrote as many as fifty-nine short stories. It is perhaps because of this once sarcastically wrote: great flurry of output in the form that Rabindranath came to associate Calcutta is an upstart town with no depth of sentiment in her the beginning of his short story writing with this stage of his career. In face and in her manners. One day Calcutta.
Dutta and Robinson, do; I want you to take this responsibility. This duty brought opportunities Therefore, the beauty and simplicity of his new rustic surrounding for me to mingle with different kinds of people, and this is how moved and inspired him deeply, but at the same time he found the living I began writing stories. I got glimpses into the life of the people, which up the short story form more passionately and steadily at this time.
My whole heart went out In May , Tagore was appointed the literary editor of a new to the simple village people as I came into contact with them. Taking this opportunity, he wrote a new They seemed to belong to quite another world so very different short story for the magazine every week and published six stories in as from that of Calcutta. My earlier stories have this background many weeks.
Since copies of the magazine have not survived, it is not and they describe the contact of mine with the village people. Galpaguccha However, the feedbacks from the readers as well as the editor were not Of course, not all the stories are set in the rural outback and not all of positive, so he decided not to continue with the magazine. In the same them are about the village people, although the vast majority of them year, the Tagore family introduced a new monthly magazine, Sadhana, are.
However, of which he became the chief contributor and later, editor. Shelidah period, he said: However, tired of the unshared editorial responsibility, coupled My later stories have not got that freshness, though they have with financial difficulties and attacks from literary opponents, Tagore greater psychological value and they deal with problems.
This brought a pause Happily I had no social or political problems before my mind to his short story writing, until he began to write again for another when I was quite young. Now there are a number of problems family magazine, Bharati, of which he acted willy-nilly as editor from of all kinds and they crop up unconsciously when I write a May to April It is believed that the renowned scientist Sir story.
During my youth whatever I saw composition of short stories during this period. He would visit appealed to me with pathos quite strong, and therefore, my Rabindranath at Shelidah regularly and cajole him to read out a new earlier stories have a greater literary value because of their story every time.
But now it is different. That great urgency and resolve of the work, never far from a reformist tendency in his fictional writings. Chakravarty 45 the relationship between a man and a woman, husband and wife, father In another letter, dated 5 September , Tagore commented: and daughter, brother and sister, Hindus and Muslims, higher caste and Noontime in Shahzadpur is high noon for story writing. The light, the breeze and women and children, education of the depressed classes, village the movement of leaves on all sides combined and entered my reconstruction and creating opportunities for village dwellers, writing.
There are few kinds of happiness in the world more eradication of caste hierarchy, healing the religious rivalry between filling than the happiness of creating something in which the Hindus and Muslims, ruthless greed and money worship leading to mind is totally immersed in its surroundings.
These critics saw Tagore, the son of an arising from his extraordinary capacity to perceive the ridiculous, aristocrat and a rich landlord, incapable of genuine sympathy for the ludicrous and the comic in human beings, and especially in his own poor Galpaguccha Therefore, they dismissed his depiction of the personality.
Tagore responded to such criticisms in a conversation with II Buddhadev Bose in , brushing aside his detractors and reaffirming his view that the stories were written in a realistic mode: Rabindranath, as I have said, was essentially a realistic writer in his short stories. I would say the letters he wrote to Indira Devi during his sojourn at Shelidah and there is no lack of realism in my stories.
I wrote from what I Shahjadpur, we can see how much of the descriptions of nature and saw, what I felt in my heart — my direct experience…. Those society from there were transmuted and incorporated into his narratives. Radice 13 In several of the letters, Tagore has acknowledged this close In hindsight, it is amazing to think that Tagore could be accused of correspondence between his experience and his fictional representation, unreality or inauthenticity in the portrayal of life and reproduction of or the semblance of art and actuality in the stories.
In a letter dated 25 natural objects and actions in his stories. Anyone familiar with the life June , for example, he wrote: and landscape of Bengal could discover its dust, feel, spirit and smell; its As I sit writing bit by bit a story for the Sadhana, the lights and sights and sounds; its lights, shades and myriad colours; its seasons, shadows and colours of my surrounding mingle with my words. He believed in accuracy of the palpable actual but rather in the Aristotelian concept of the equality and fellowship of all human beings.
Moreover, realistic indigent, and an unfettered dignity for women and children. In each of these stories, his heart goes out to the poor sorrow or anguish.
Unless whatever I have seen or heard symmetrical plot for the story. On another occasion, explaining his objective is of course not to place Tagore in the tradition of Western creative process, he wrote: Realism, as that would be utterly inappropriate. There is no evidence to … when I am writing a story, my contemporary experience is indicate that he consciously sought to adopt the values of the movement; woven into its fabric, and also my personal likes and dislikes….
But the affinities do help the plots of all the best stories and dramas in literature…. Moreover, Events happen in a different manner in different places. They Tagore was too complex a writer to be pigeonholed.
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Tagore excels in dealing with adolescence psychology. In Home Coming the character of Phatik is a fine study of the adolescent mind. Kabuliwala is study of peculiar bond of relationship between the people despite the vast hiatus of ages. Here love transcends social barrier and makes us sympathize with a poor Kabuli fruit seller.
The writer skillfully describes the beginning of friendship between Mini, a small Bengali girl of Calcutta and Rahman, the fruit-seller, who comes every year to Calcutta leaving his tiny daughter in his mountain home in Afghanistan.
Tagore believed that man can upgrade morally and spiritually if he lives a life in close contact with nature. The Hidden Treasure is an apt illustration of that. In the stories In the Night and The Hungry Stones , Tagore created a world of supernatural thrill, suspense, mystery and fear.
A solitary marble palace built by Emperor Mahmud Shah II for his pleasure and luxury about years ago is the background of the story, The Hungry Stones. Tagore hated the prevailing education system which cramped the personality of the children. Problems faced by the wards by their teachers are mirrored in Housewife.
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